9/26/2023 0 Comments Aragami movie![]() Tsutsumi dishes up pitch-black humor in terms of how excessive the fight becomes. Reportedly winning an audience vote upon its initial public screening by a single vote, the film’s basic idea of pitting two polar opposites in a single local with one goal in mind (that being a role in a film) works wonders when executed.ĢLDK is one of those magnificently absurd films you may never forget. Yukihiko Tsutsumi’s half of the Duel Project is ironically, given the near anonymous status of himself and his work in the West, the better known of the two. There really isn’t much else to it, although the concept proposed by the film that Aragami was once Miyamoto Musashi, one of the most notable figures in feudal Japan and Japanese history at large, is a fascinating one to ponder. Add in the phenomenal set design of the temple, the wicked fight choreography from Yûji Shimomura, & slick scoring and cinematography, and Aragami is one of the most entertaining films to come out of Japan in the past few decades. Their simple respect for each other grows in spite of the fury with which they spar, and it is this relationship that makes the film so much fun to watch. Takao Osawa’s “Samurai” & Masaya Kato’s “Aragami” have an incredible chemistry between one another. Thanks in large part to his style of action and a humorful screenplay, Aragami is easily one of the most engaging, stylish, & fun films I’ve seen in a while. It brought him praise with his raucous zombie flick Versus and got him a few raised eyebrows when implementing it in 2004’s Godzilla: Final Wars, melding kaijū battles with human action those of a quasi- Matrix variety. He has a slick, fast-paced, often brutal approach to action that has become somewhat of a trademark of his. Tsutsumi created 2LDK, a cat fight to end all cat fights as two actresses vying for a role make the mistake of sharing an apartment and getting on each other’s nerves.Īragami is, above all else, a Ryûhei Kitamura film. Kitamura devised Aragami, a feudal fantasy where a samurai finds himself doing battle with a God of Battle. What resulted was a playful warring of egos in interviews and the films’ promotional material, and two pictures that act as a dichotomy in more ways than one. Indeed, this challenge came about during a night of drinking. Terms devised under the influence of alcohol.
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